Shared by Joni Cheung - Revision history

Oscar at 18:41, 19 July 2020

2020-07-19T18:41:31Z

← Older revision		Revision as of 11:41, 19 July 2020
Line 66:		Line 66:
	<br>[[Shared by Lily Cryan\|in		<br>[[Shared by Lily Cryan\|in
	<br>between		<br>between
	<br>the two shells]] to digest [[De Paola ~~Quiros~~-Cruz\|the soft body inside]]		<br>the two shells]] to digest [[De Paola Quirós-Cruz\|the soft body inside]]
	<br>(An) uprising,		<br>(An) uprising,
	<br>[[Shared by Emny Moghrabi\|birds flying in the air]],		<br>[[Shared by Emny Moghrabi\|birds flying in the air]],
Line 145:		Line 145:
	<br>[[Shared by Lily Cryan\|en		<br>[[Shared by Lily Cryan\|en
	<br>medio		<br>medio
	<br>de dos conchas]], para digerir [[De Paola ~~Quiros~~-Cruz\|la suave carne dentro]]		<br>de dos conchas]], para digerir [[De Paola Quirós-Cruz\|la suave carne dentro]]
	<br>(Un) Alzamiento,		<br>(Un) Alzamiento,
	<br>[[Shared by Emny Moghrabi\|aves volando en el aire]]		<br>[[Shared by Emny Moghrabi\|aves volando en el aire]]

Oscar at 23:50, 18 July 2020

2020-07-18T23:50:56Z

← Older revision		Revision as of 16:50, 18 July 2020
Line 11:		Line 11:
	Each Autumn,		Each Autumn,
	<br>Regular public school,		<br>Regular public school,
	<br>Chinese School,		<br>[[Shared by Natalie Chan\|Chinese School]],
	<br>Spend every evening, Monday to Friday from seven to nine,		<br>Spend every evening, Monday to Friday from seven to nine,
	<br>in class.		<br>in class.
Line 39:		Line 39:

	My mother’s name ( is 甄艷秀 \| Yan Yim Sau \| Christina Yan).		My mother’s name ( is 甄艷秀 \| Yan Yim Sau \| Christina Yan).
	<br>In Hong Kong her family had been in the (transit and service industry).		<br>[[Shared by Natalie Chan\|In Hong Kong]] her family had been in the ([[Shared by Charlotte\|transit]] and service industry).
	<br>She arrived in Vancouver (carrying just me) in 1996. She was (Twenty-Eight).		<br>She arrived in Vancouver (carrying just me) in 1996. She was (Twenty-Eight).

Line 90:		Line 90:
	Cada otoño,		Cada otoño,
	<br>Escuela pública común,		<br>Escuela pública común,
	<br>Escuela de chino,		<br>[[Shared by Natalie Chan\|Escuela de chino]],
	<br>pasando cada noche, de lunes a viernes de siete a nueve,		<br>pasando cada noche, de lunes a viernes de siete a nueve,
	<br>en clase.		<br>en clase.
Line 118:		Line 118:

	El nombre de mi madre (es 甄艷秀 \| Yan Yim Sau \| Christina Yan).		El nombre de mi madre (es 甄艷秀 \| Yan Yim Sau \| Christina Yan).
	<br>En Hong Kong su familia había estado en la (industria de servicios y transporte público)		<br>[[Shared by Natalie Chan\|En Hong Kong]] su familia había estado en la (industria de servicios y [[Shared by Charlotte\|transporte público]])
	<br>Llegó a Vancouver (llevándome en sus brazos) en 1996. Ella tenía (veintiocho)		<br>Llegó a Vancouver (llevándome en sus brazos) en 1996. Ella tenía (veintiocho)

Oscar at 03:48, 18 July 2020

2020-07-18T03:48:13Z

← Older revision		Revision as of 20:48, 17 July 2020
Line 119:		Line 119:
	El nombre de mi madre (es 甄艷秀 \| Yan Yim Sau \| Christina Yan).		El nombre de mi madre (es 甄艷秀 \| Yan Yim Sau \| Christina Yan).
	<br>En Hong Kong su familia había estado en la (industria de servicios y transporte público)		<br>En Hong Kong su familia había estado en la (industria de servicios y transporte público)
	<br>Llegó a Vancouver (llevándome en sus brazos) en 1996. Ella tenía (~~Veinte-y-ocho~~)		<br>Llegó a Vancouver (llevándome en sus brazos) en 1996. Ella tenía (veintiocho)

Oscar at 22:07, 17 July 2020

2020-07-17T22:07:03Z

← Older revision		Revision as of 15:07, 17 July 2020
Line 2:		Line 2:

	{\|		{\|
	! Shared by [https://www.jonicheung.com/ Joni Cheung]		! style="width: 50%;" \| Shared by [https://www.jonicheung.com/ Joni Cheung]
	! De [https://www.jonicheung.com/ Joni Cheung]		! style="width: 50%;" \| De [https://www.jonicheung.com/ Joni Cheung]
	\|-		\|-
	\|		\|

Oscar at 20:22, 17 July 2020

2020-07-17T20:22:43Z

← Older revision		Revision as of 13:22, 17 July 2020
Line 16:		Line 16:


	Millions of monarch butterflies,		Millions of [[De Nubia Santiago\|monarch butterflies]],
	<br>migrate,		<br>migrate,
	<br>‘Living artefacts… carried forward through the year…’,		<br>‘Living artefacts… carried forward through the year…’,
Line 26:		Line 26:

	Longest land migration in North America.		Longest land migration in North America.
	<br>An opportunity		<br>[[Shared by Davey Samuel Calderon\|An opportunity]]
	their identity, to express difference,		their identity, to express difference,
	<br>Cut off		<br>Cut off
Line 45:		Line 45:
	Always ready to dive (in),		Always ready to dive (in),
	<br>(me).		<br>(me).
	<br>(to) catch		<br>[[Shared by Phoebe Huang\|(to) catch]]
	<br>swoop up,		<br>swoop up,
	<br>It’s a hazardous journey through unfamiliar territory.		<br>It’s [[De Stephanie Durán Castillo\|a hazardous journey]] through unfamiliar territory.


	(Gave) moon(s) (...) as gifts		(Gave) moon(s) (...) [[De Dubravka Sužnjević\|as gifts]]
	<br>An () exchange ()		<br>An () exchange ()
	<br>of (...) the practical, social, economic, political and personal(,)		<br>of (...) the practical, social, economic, political and personal(,)
	<br>(...) in order to survive,		<br>(...) [[Shared by Davey Samuel Calderon\|in order to survive]],
	<br>(...) where competition		<br>(...) where competition
	<br>is fierce.		<br>is fierce.
Line 64:		Line 64:

	(I) pushed (my) stomach out of (my) mouth		(I) pushed (my) stomach out of (my) mouth
	<br>in		<br>[[Shared by Lily Cryan\|in
	<br>between		<br>between
	<br>the two shells to digest the soft body inside		<br>the two shells]] to digest [[De Paola Quiros-Cruz\|the soft body inside]]
	<br>(An) uprising,		<br>(An) uprising,
	<br>birds flying in the air,		<br>[[Shared by Emny Moghrabi\|birds flying in the air]],
	<br>(I) watched the patterns made by ants crawling on the ground and		<br>(I) watched the patterns made by ants crawling on the ground and
	<br>then copied them down.		<br>then copied them down.
Line 75:		Line 75:


	Learned (//) Its real name (//) by tracing…		Learned (//) Its real name (//) [[Shared by Beau Rhee\|by tracing…]]
	<br>It spread all		<br>It spread all
	<br>the (...) rice		<br>the (...) rice
Line 83:		Line 83:
	<br>to think of relatives and friends not present,		<br>to think of relatives and friends not present,
	<br>extending		<br>extending
	<br>best wishes to them.		<br>[[Shared by Philip Leonard Ocampo\|best wishes to them]].


Line 95:		Line 95:


	Millones de mariposas monarcas		Millones de [[De Nubia Santiago\|mariposas monarcas]],
	<br>migran,		<br>migran,
	<br>"Artefactos vivos… sostenidos a través del año…”,		<br>"Artefactos vivos… sostenidos a través del año…”,
Line 105:		Line 105:

	Migración terrestre más larga de Norteamérica		Migración terrestre más larga de Norteamérica
	<br>Una oportunidad		<br>[[Shared by Davey Samuel Calderon\|Una oportunidad]]
	<br>sus identidades, para expresar diferencia,		<br>sus identidades, para expresar diferencia,
	<br>Cortar		<br>Cortar
Line 124:		Line 124:
	Siempre lista para clavarse (en)		Siempre lista para clavarse (en)
	<br>(mí)		<br>(mí)
	<br>(a) pescar		<br>[[Shared by Phoebe Huang\|(a) pescar]]
	<br>arrebatando,		<br>arrebatando,
	<br>es un viaje arriesgado a través de territorio desconocido		<br>es [[De Stephanie Durán Castillo\|un viaje arriesgado]] a través de territorio desconocido


	(Dió) luna(s) (...) como obsequios		(Dió) luna(s) (...) [[De Dubravka Sužnjević\|como obsequios]]
	<br>un () intercambio ()		<br>un () intercambio ()
	<br>de (...) lo práctico, social, económico, político y personal (,)		<br>de (...) lo práctico, social, económico, político y personal (,)
	<br>(...) para sobrevivir,		<br>(...) [[Shared by Davey Samuel Calderon\|para sobrevivir]],
	<br>(...) donde la competición		<br>(...) donde la competición
	<br>es feroz.		<br>es feroz.
Line 143:		Line 143:

	(Yo) expulsé (mi) estomago por (mi) boca		(Yo) expulsé (mi) estomago por (mi) boca
	<br>en		<br>[[Shared by Lily Cryan\|en
	<br>medio		<br>medio
	<br>de dos conchas, para digerir la suave carne dentro		<br>de dos conchas]], para digerir [[De Paola Quiros-Cruz\|la suave carne dentro]]
	<br>(Un) Alzamiento,		<br>(Un) Alzamiento,
	<br>aves volando en el aire		<br>[[Shared by Emny Moghrabi\|aves volando en el aire]]
	<br>(Yo) miré los patrones formados por hormigas arrastrándose en el suelo y		<br>(Yo) miré los patrones formados por hormigas arrastrándose en el suelo y
	<br>lo copié		<br>lo copié
	<br>(Traté) de adivinar la imagen (...) palabras escritas o caracteres		<br>(Traté) de adivinar la imagen (...) palabras escritas o <i>caracteres</i>
	<br>(Yo) escribí el llanto a la revuelta en trozos de papel y los escondí en paste(—) contrabandeados (—)les		<br>(Yo) escribí el llanto a la revuelta en trozos de papel y los escondí en paste(—) contrabandeados (—)les


	Aprendí(//) su verdadero nombre (//) trazando…		Aprendí(//) su verdadero nombre (//) [[Shared by Beau Rhee\|trazando…]]
	<br>propagado		<br>propagado
	<br>el (...) papel		<br>el (...) papel
Line 162:		Line 162:
	<br>para pensar en familiares y amistades que no se encuentran,		<br>para pensar en familiares y amistades que no se encuentran,
	<br>extendiéndoles		<br>extendiéndoles
	<br>mis mejores deseos		<br>[[Shared by Philip Leonard Ocampo\|mis mejores deseos]]

	\|}		\|}

Oscar: Created page with " {| ! Shared by [https://www.jonicheung.com/ Joni Cheung] ! De [https://www.jonicheung..."

2020-07-17T18:03:46Z

Created page with "<center><evlplayer id="player1" w="720" service="vimeo" defaultid="435870456" /><center> {| ! Shared by [https://www.jonicheung.com/ Joni Cheung] ! De [https://www.jonicheung..."

New page

<center><evlplayer id="player1" w="720" service="vimeo" defaultid="435870456" /><center>

{|
! Shared by [https://www.jonicheung.com/ Joni Cheung]
! De [https://www.jonicheung.com/ Joni Cheung]
|-
|
 
 (Thirteen)

Each Autumn,
 Regular public school,
 Chinese School,
 Spend every evening, Monday to Friday from seven to nine,
 in class.

Millions of monarch butterflies,
 migrate,
 ‘Living artefacts… carried forward through the year…’,
 reaffirm and consolidate,
 choosing the same trees
 that were wintered in the year
 before.

Longest land migration in North America.
 An opportunity
their identity, to express difference,
 Cut off
 all my hair
 maintaining the continuity of particular values.

Hours seem to pass each autumn.

(Nine-Tenths)

My mother’s name ( is 甄艷秀 | Yan Yim Sau | Christina Yan).
 In Hong Kong her family had been in the (transit and service industry).
 She arrived in Vancouver (carrying just me) in 1996. She was (Twenty-Eight).

Always ready to dive (in),
 (me).
 (to) catch
 swoop up,
 It’s a hazardous journey through unfamiliar territory.

(Gave) moon(s) (...) as gifts
 An () exchange ()
 of (...) the practical, social, economic, political and personal(,)
 (...) in order to survive,
 (...) where competition
 is fierce.

(I learned to) (s)tore poison from the milkweed plant in (my) bod(y).

Twenty-four

(I) pushed (my) stomach out of (my) mouth
 in
 between
 the two shells to digest the soft body inside
 (An) uprising,
 birds flying in the air,
 (I) watched the patterns made by ants crawling on the ground and
 then copied them down.
 (Tried) to guess the picture (...) Written words or characters
 (I) wrote the call to revolt on pieces of paper and hid them in the ca(—) smuggled (—)kes

Learned (//) Its real name (//) by tracing…
 It spread all
 the (...) rice
 paper.
 over
 (To) pay (my) respects to the moon… (set-out) hundreds of brightly lit lanterns
 to think of relatives and friends not present,
 extending
 best wishes to them.

|(Trece)

Cada otoño,
 Escuela pública común,
 Escuela de chino,
 pasando cada noche, de lunes a viernes de siete a nueve,
 en clase.

Millones de mariposas monarcas
 migran,
 "Artefactos vivos… sostenidos a través del año…”,
 reafirman y consolidan,
 eligiendo los mismos árboles
 que invernaron en el año
 previo

Migración terrestre más larga de Norteamérica
 Una oportunidad
 sus identidades, para expresar diferencia,
 Cortar
 todo mi cabello
 manteniendo la continuidad de ciertos valores

Horas parecerían pasar cata otoño

(Nueve-Decimos)

El nombre de mi madre (es 甄艷秀 | Yan Yim Sau | Christina Yan).
 En Hong Kong su familia había estado en la (industria de servicios y transporte público)
 Llegó a Vancouver (llevándome en sus brazos) en 1996. Ella tenía (Veinte-y-ocho)

Siempre lista para clavarse (en)
 (mí)
 (a) pescar
 arrebatando,
 es un viaje arriesgado a través de territorio desconocido

(Dió) luna(s) (...) como obsequios
 un () intercambio ()
 de (...) lo práctico, social, económico, político y personal (,)
 (...) para sobrevivir,
 (...) donde la competición
 es feroz.

(Aprendi a) (res)guardar veneno del algodoncillo en (mi) cuerp(o)

Veinticuatro

(Yo) expulsé (mi) estomago por (mi) boca
 en
 medio
 de dos conchas, para digerir la suave carne dentro
 (Un) Alzamiento,
 aves volando en el aire
 (Yo) miré los patrones formados por hormigas arrastrándose en el suelo y
 lo copié
 (Traté) de adivinar la imagen (...) palabras escritas o caracteres
 (Yo) escribí el llanto a la revuelta en trozos de papel y los escondí en paste(—) contrabandeados (—)les

Aprendí(//) su verdadero nombre (//) trazando…
 propagado
 el (...) papel
 de arroz
 encima
 Pagar (mis) respetos a la luna… (poniendo) cientos de linternas brillantes
 para pensar en familiares y amistades que no se encuentran,
 extendiéndoles
 mis mejores deseos

|}

----

Shared in 2020 and adapted from Untitled ([THIRTEEN], [NINE-TENTHS], TWENTY-FOUR), 2020, Joni Cheung, Own and found text. Dimensions vary. Translated by Oscar Alfonso
 Compartido en inglés en 2020 y adaptado de SIN TITULO([TRECE),[NUEVE-DECIMOS], VEINTICUATRO), 2020, Joni Cheung, palabras propias y encontradas, dimensiones variadas. Traducido por Oscar Alfonso
 
 
 
Bibliography
 Bowers, Vivien. ONLY IN CANADA! : From the Colossal to the Kooky. Toronto: Maple Tree Press, 2002.
 Lim, Sing. West Coast Chinese Boy. Montreal: Tundra Books, 1979.
 Marianne Hulsbosch, Elizabeth Bedford, and Martha Chaiklin. Asian Material Culture. Amsterdam: Amsterdam University Press, 2009.